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Reflections on the Murals of Gonzalo Borondo
By Rebecca Clayman
Since returning from Rome, where I reported for the Weaving the Streets and People’s History Archive (WSPHA) project this past spring, I find myself closing my eyes and allowing a wave of visual memories to wash over my mind. After living in such a visually captivating place there are an endless number of picture perfect moments to recall, but the images I am most enchanted by are ones that surprised me. Instead of reminiscing about the Pantheon saturated in afternoon sunlight, I think back to the images I felt most challenged or shocked by.
Public Art in Rome: William Kentridge's "Triumphs and Laments"
By Rebecca Clayman
On the night of Friday April 22nd crowds gathered along the banks of the Tiber River in anticipation of the evenings performance. While on a typical Friday night the surrounding neighborhood would be filled with pedestrians filtering their way to and from popular bars in the lively neighborhood Trastevere, but on that particular night crowds gathered waiting to witness the unassuming walls of the Tiber River transform into a once in a life time theatrical experience.