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Stories, Analysis, Voices John Collins Stories, Analysis, Voices John Collins

“They’ll Take the Sea From Us”: A Nautical Glimpse Into Palestine’s Colonial Confinement

By John Collins

“In the past, fishing was better, because we could go out 12 nautical miles and no one targeted us,” observes one of the young Gazan fisherman. “Now, it’s only six miles and there’s no fish there.” This basic fact - the literal shrinking of the space within which people in Gaza can engage in fishing without risking harassment and death at the hands of the Israeli military - lies at the core of “Six Miles Out,” a striking new video released on Facebook last week by the We Are Not Numbers project (whose work has been featured previously here on the Weave News site).

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Uncategorized, Analysis Vincent Aguilar Uncategorized, Analysis Vincent Aguilar

Dissecting Boston XII: Forest of Watchers

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo reveals his final act of artistic resistance. As the conclusion for this "Dissecting Boston" series, Tzintzun created a public installation on the beach of Plum Island, Massachusetts. This installation, "Forest of Watchers," embodies the subaltern gaze. It destabilizes the colonial borderlines of history; borderlines we are all complicit in constructing.

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Uncategorized, Analysis Vincent Aguilar Uncategorized, Analysis Vincent Aguilar

Dissecting Boston XI: Vandal Art

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo contextualizes his acts of artistic resistance/vandalism. To accomplish this task, Tzintzun revels his previous intrusions within the border walls of the museum. From the Metropolitan Museum of Art in New York City to the Institute of Contemporary Art/Boston, Tzintzun employed art/activism to re-politicize the white walls of censured history.

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Uncategorized, Analysis Vincent Aguilar Uncategorized, Analysis Vincent Aguilar

Dissecting Boston X: Projected Other

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo explores his Mexican American mask and the layers of racism that lie underneath the surface of Plum Island, Massachusetts. To illustrate his argument, Tzintzun narrates the act of artistic rebellion he underwent to prevent the flattening of his Mexican American heritage into a "taco." Hard shell or soft shell, anyone?

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Uncategorized, Analysis Vincent Aguilar Uncategorized, Analysis Vincent Aguilar

DISSECTING BOSTON IX: Undesirables

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo delves deeper into the development/conquest of Plum Island, Massachusetts. In doing so, Tzintzun grapples with the correlations between real estate and border construction. All bordered communities exclude portions of the population. The question remains: Who are these "undesirables"?

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Uncategorized, Analysis Vincent Aguilar Uncategorized, Analysis Vincent Aguilar

Dissecting Boston VII: Erosive Division

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo describes his own act of figmantary division on the beaches of Plum Island, Massachusetts. In a public installation piece (beach art) entitled the "Outer Limit," Tzintzun brings to light the correlations between borders, private property and human induced global warming.

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Uncategorized, Analysis, Voices John Collins Uncategorized, Analysis, Voices John Collins

Interweaving: Somdeep Sen on Race, Fieldwork, and Colonization in Israel/Palestine

By John Collins

As part of our occasional series of “Interweaving” conversations, I recently had the opportunity to interview Dr. Somdeep Sen, a Weave News blogger and postdoctoral researcher at the University of Copenhagen, regarding a number of issues related to his field research in Palestine/Israel. Our conversation touched on his experience of the politics of race and violence while in the field as well as his first-hand observations from Jerusalem and the West Bank regarding the current state of Israel's settler-colonial project.

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