By Julianne DeGuardi

In the final installment of her three-part profile of migrant farm worker Juan Garcia, Weave News reporter Julianne DeGuardi details Juan’s differing experiences with accessing health care in New York and Vermont. Read Part I and Part II.

By Savannah Crowley

In her latest post for our Weaving the Streets project, Savannah Crowley reflects on her experience of traveling to Culiacan, Sinaloa (Mexico), to “learn from activists and community leaders on the ground who are building peace in the heart of the Drug War” in the aftermath of the assassination of renowned journalist Javier Valdez.

By Julianne DeGuardi

In the second installment of her three-part profile of migrant farm worker Juan Garcia, Weave News reporter Julianne DeGuardi details Juan’s story of moving among a number of different work opportunities in New York, Vermont, and Kentucky. Read Part I.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo reveals his final act of artistic resistance. As the conclusion for this "Dissecting Boston" series, Tzintzun created a public installation on the beach of Plum Island, Massachusetts. This installation, "Forest of Watchers," embodies the subaltern gaze. It destabilizes the colonial borderlines of history; borderlines we are all complicit in constructing.

By Ajok Deng

In the Madrid neighborhood of Lavapiés, groups such as Mujeres Libres (Free Women) join anonymous street artists in expressing defiant resistance to the structures of patriarchy and the gendered violence that it generates. As part of our Weaving the Streets project, reporter Ajok Deng describes what she has been seeing on the walls, and in the streets, of Lavapiés.

By Julianne DeGuardi

As part of her continuing coverage of the issue of migrant farm workers in the North Country, Julianne DeGuardi begins a three-part profile of one worker whose journey has taken him from Chiapas, Mexico, to northern New York and Vermont.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo contextualizes his acts of artistic resistance/vandalism. To accomplish this task, Tzintzun revels his previous intrusions within the border walls of the museum. From the Metropolitan Museum of Art in New York City to the Institute of Contemporary Art/Boston, Tzintzun employed art/activism to re-politicize the white walls of censured history.

By Ajok Deng

"Skulls and bones emerge from the ground beneath your feet. They peek right above the sidewalks and leave a chilling impression of what was once hidden." Ajok Deng joins our Weaving the Streets project with a report from Lavapiés, an immigrant neighborhood in the heart of Spain's capital. "The history surrounding the dictatorship has long been buried, but it still has a way of creeping up to the surface."

By Wyatt Adams

“How can that be?” asked the older Austrian man sitting on the next barstool. “How can that many people deny accepted science?” Weave News reporter Wyatt Adams reports for our Weaving the Streets project on his visit to the annual Climate March in Vienna, where climate change denial is almost unthinkable.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo explores his Mexican American mask and the layers of racism that lie underneath the surface of Plum Island, Massachusetts. To illustrate his argument, Tzintzun narrates the act of artistic rebellion he underwent to prevent the flattening of his Mexican American heritage into a "taco." Hard shell or soft shell, anyone?

By Savannah Crowley

On Sunday, April 23, I had the honor to ride alongside Mr. Jan Ruhman, a United States’ Marine Corps Veteran who served during the Vietnam War, on the drive South of San Diego to the US/Mexican border at Tijuana. Crossing the border in Jan’s Ford Ranger, a speed bump was the only thing in our way, but for Jan’s friends and the United States veterans that I would soon meet, they would never again be allowed to cross the border and return home to the United States. They’ve been permanently banished from the same country they swore to serve and defend.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo delves deeper into the development/conquest of Plum Island, Massachusetts. In doing so, Tzintzun grapples with the correlations between real estate and border construction. All bordered communities exclude portions of the population. The question remains: Who are these "undesirables"?

By Steve Peraza

In the latest installment of our ongoing Interweaving series of in-depth conversations, Weave News reporter Steve Peraza speaks with Dr. Gene Grabiner, a SUNY distinguished service professor emeritus whose work addresses issues of social justice and social class. Their discussion focused on policing and the possibilities for meaningful police reform, particularly in Buffalo, NY.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo explores the correlation between private ownership and climate change. By analyzing the 1920s partitioning of Plum Island, Massachusetts, Tzintzun dissects humanity's ownership addiction.

By Gene Grabiner

In a July 2016 blog post that he refused to take down, Buffalo Police Benevolent Association (PBA) vice president John Evans said of civilian demonstrators: “Comply with our orders and you won't get yourself killed. Enough!!!” It’s not enough that demonstrators’ First Amendment rights have already been eroded and circumscribed with the creation of ‘Free Speech Zones.’ Now, exercise of First Amendment rights may be met with police deadly force. Is this a terroristic threat?

By Sarita Farnelli

In Pennsylvania, Sarita Farnelli reports on activist camps rallying to protect the environment from a 350-mile pipeline proposed by Sunoco, whose use of eminent domain to seize land has community members fearing for their homes.

By Darcy Best

In her latest contribution to our Weaving the Streets project, Darcy Best reports from Dublin on a creative project through which local artists can help build a distinctive identity for particular areas of the city by turning metal traffic boxes into canvases for vibrant art.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo describes his own act of figmantary division on the beaches of Plum Island, Massachusetts. In a public installation piece (beach art) entitled the "Outer Limit," Tzintzun brings to light the correlations between borders, private property and human induced global warming.

By Sheila Murray

As a transplant to the Boston area, it’s been interesting to familiarize myself with the city through the lens of current politics and social movements.  Unlike my years growing up in a small New Hampshire town and my time at university in upstate New York, Boston is positively bursting with events. That said, event spaces are not always conventional.  Here, a friend’s apartment is the scene for a “Women’s Brunch;” there, breweries become writing labs, bouldering gyms host “postcard parties,” and a tattoo parlor converts into a local artist marketplace.  In the past few months, my eyes have been on community engagement and the spaces that crop up as hosts.

By Tzintzun Aguilar-Izzo

As part of our ongoing Weaving the Streets project, Tzintzun Aguilar-Izzo explores the historical roots of New England's gentrified divisions, unraveling the complex history of colonial boundaries.